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Viewing: rauspitz/all (77 bookmarks) [ options: rss or publish on my site or add to friends & faves ]
Watch as Ron Hazelton demonstrate Hangman Products' Professional Hanging Kit, which can be used to hang pictures, mirrors, and artwork quickly and easily.  added on 2008-06-26
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how to hang just about anything easily...
By: rauspitz
The RA-Stores Blog educates the consumer about the different products and services of my online stores. Additionally, I feature products and services from various associates. We sell a wide variety of quality products including: Closeouts, Hangman Products solutions, Philly News Stand t-shirts, Vitage and pherAdore and many other great products. The list of stores, products and services will continue to expand as we continue to find different ways we can help you enrich your life. added on 2007-11-23
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the ra-stores blog is designed to educate the...
By: rauspitz
 added on 2007-09-23
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visit marc zumoff�s media library to w...
By: rauspitz
 added on 2007-09-23
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visit marc zumoff�s media library to l...
By: rauspitz
 added on 2007-09-23
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visit marc zumoff�s media library to r...
By: rauspitz
Marc,

I would like to thank you for the time and effort you have put forth in relation to my son's video and audio demo.  I am convinced this will put Adam in a position for an opportunity that is related to his future career.  Its real simple for me. I size up people in 5 minutes, you say what you do and do what you say.  As a matter of fact Marc, you go beyond your contract.  While a demo reel is an important aspect in this process, what I appreciate is the fact that you provide timely consulting, coaching and mentoring along the way to an individual seeking a potential position in the broadcast industry.  I know you don't have to provide this service for a living.  It clearly shows in your attitude, that you truly enjoy working to support commited students in their quest to break into broadcasting industry. 

Sincerely,

Michael Bagni
Massachusetts, USA 

Michael Bagni has graciously agreed to provide contact information upon request.
 added on 2007-09-23
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watch and listen to testimonials for marc zum...
By: rauspitz
Lebron James has a coach.  So does Tiger Woods.  So does the NBA champion San Antonio Spurs. 

But coaches aren’t just for athletes.  Many corporate executives have coaches.  So do sales persons.  In fact, just about anybody can have a coach.  There are personal coaches, life coaches, voice coaches, academic coaches, and training and development coaches.  In fact, there are even “trade show” and “anxiety” coaches!

Whether they’re on top of their game or simply learning the game, just out of the mailroom or veterans of the boardroom, many are helped by the presence and poise of a coach.

A good coach is an independent, seasoned observer who knows how to convey the finer points of a particular craft.  Someone who not only solves the most vexing problems, but often takes pre-emptive action before they occur.  It’s a person who knows the most efficient road to success.  It’s a person who can allay your fears while inspiring you to great heights.  

Many have tried to go it alone, only to fail in their attempts to break into broadcasting as a performer on television or radio.  They’ve invested heavily in a college education and have little or nothing to show for their efforts and money.  YourAirtime® is solely designed to educate, enlighten, indeed to coach you in pursuit of a place in this extremely competitive field.  YourAirtime® is on-call for you, attuned specifically to your wants and desires, your abilities and dreams. 
 added on 2007-09-23
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purchasing marc zumoff�s your airtime&...
By: rauspitz
Since 1977, Marc Zumoff estimates he has been live, on the air, about 5,000 times.  His formative years were spent in news as an anchor, reporter and writer.  Eventually, he crossed over into sports, announcing basketball, football, hockey and sports such as bicycle racing, horse jumping and crew.  Marc also has extensive experience in producing and editing on both television and radio.

Though Marc is currently performing in his ultimate role as the television voice for his hometown Philadelphia 76ers, the road to that goal was circuitous and challenging.  Shortly after leaving Temple University in 1977 (Marc did not officially graduate until 1992, but that’s another story), he was working in—of all places—a scrap iron and steelyard.  Between stints driving a truck, heavy equipment and sorting grades of iron, steal and metal, Marc would send tapes to radio stations in and around the Philadelphia area.  He landed his first job in broadcasting in July, 1977 at a small radio station in Trenton New Jersey.  The station purported to be all-news, but in fact, was merely a “rip-and-read” outlet, where news anchors simply read wire copy, while the rest of the operation was run on a shoestring.  It seemed the station was off the air more than it was on the air, but it was a start.  At $110-a-week, Marc was proud to say he was getting paid to perform live, on the radio.

During this time, Marc was about a year into a two-day-a-week position as a  bottom-rung production assistant at KYW Newsradio in Philadelphia.  Those two days were Saturday and Sunday, leaving this 22-year old to work seven days a week.  But, his hustle would produce dividends.  Simultaneously being a big fish in a small pond at the Trenton station while at the same time being a small fish in a big pond at the larger Philadelphia station would prove to be a valuable formula for career success down the road.

Gradually, Marc moved up, working at better stations as a newscaster, while maintaining his low-level production assistant job at KYW Newsradio.  His break into sportscasting came while working at a station in Princeton, New Jersey in 1979.  The play-by-play announcer for Princeton University football and basketball was relieved of his duties.  Already a member of the station’s news team and ‘on the inside,’ Marc Zumoff was able to learn of the opening before anyone else.  He informed station management of his play-by-play abilities and, because they were strapped and needed a replacement right away, Marc quickly moved into the booth.

About a year later, KYW Newsradio promoted Marc to a freelance anchor/reporter position.  Again, this was an opportunity he could take advantage of because he was already ‘on the inside,’ working at KYW as a production assistant.  Simultaneously, he had been getting his practical, on-air experience at the smaller station that was within driving distance

  Coincidentally, a contact Marc had developed at KYW provided a huge break into Philadelphia sportscasting.  That contact left KYW to become the public relations director of the local, indoor soccer team.  That team needed a television announcer and his friend informed him of the opening.  Marc auditioned and got the position—his first job as a television sportscaster--proving the value of making a keeping in touch with key associates.

The indoor soccer team televised its games on two outlets, including a regional cable channel called PRISM.  After the indoor soccer team folded in 1982, PRISM hired Marc Zumoff as a part-time staff announcer.  Shortly thereafter, he was hired fulltime to anchor its pre-game, halftime and post-game coverage of Philadelphia 76ers basketball.  This again, reinforced the value of ‘being on the inside,’ even if you’re not employed in your ideal position.

Marc held this post until August 17, 1994 at precisely 1:34pm when he got the telephone call he had long-imagined getting.  It was the call that informed him he was to become the television voice of the Philadelphia 76ers, the job he had longed for ever since he was a youngster growing up in the Northeast section of the city. 

Entering his 14th year as the Sixers TV voice, Marc Zumoff is grateful for what has happened, though it didn’t happen without a lot of hard work, a lot of learning and of course, a little luck.  But that luck, as Brooklyn Dodgers GM Branch Rickey once said, “is the residue of design.”

Marc Zumoff is the founder and President of YourAirtime®, the premier, broadcast coaching service in the country. added on 2007-09-23
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marc zumoff the play by play voice of the phi...
By: rauspitz
Newscaster.  Sportscaster.  Reporter.  Host.  Voiceover talent.  Play-by-play announcer.  Network television performer.  Winner of nine Emmyâ Awards.  30 years as a broadcaster. 

Not once did I ever answer a classified ad for a job.

There is a method for making your mark as a broadcast performer.  It’s a systematic formula that is logical and purposeful.  It is unique in its approach and effective in it results.  Ultimately, it lays the groundwork for a potentially long and satisfying career, a career in a business where the supply far outweighs the demand.  

Immense competition.  Fear of the unknown.  Rejection. And what about the thousands of dollars spent on a college education?  Breaking into broadcasting—actually acquiring a job in television or radio on the air as a broadcast performer--can be a perilous journey.  But you can do this.  Oh yes, you can do this!  You can do this with your own, personal coach. 

An experienced broadcasting veteran who is on call, available to answer every question, address every issue, plot every course of your career development strategy.  A coach who will produce an exceptional demo reel underscoring your exceptional abilities and unique talent.  A coach who will cultivate and enrich all of your broadcasting skills, from writing to performance, from journalism to make-up.  And once you sign on, this coach will be available to you for the life of your broadcasting career.  added on 2007-09-23
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marc zumoff the play by play voice of the phi...
By: rauspitz
Praise for:
So Your Mama Loves It But Is It Ready for the Big Time?
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read what screenwriters and other hollywood p...
By: rauspitz
So Your Mama Loves It, 
But Is It Ready for the Big Time?
 
The 10 Most Common Mistakes Screenwriters Make 
(And How You Can Avoid Them)

$10.95 USD 
 added on 2007-09-21
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so your mama loves it, but is it ready for th...
By: rauspitz
Foreword

This book is simply the best single resource on screenwriting available.  I had the benefit of Sheila Gallien's insights on every script I wrote for six years: from Apollo 13 to Cast Away, with four or five others thrown in for good measure.

Her advice was always clear, direct, and to the point.  It was always grounded in rock-solid principles of story-telling.  She helped me see what I had done wrong, and how to make what I had done right even better.  That is a rare gift.

Other books have been written on the how-to's of screenwriting.  None give the writer such an insider's view on how to trouble-shoot your own script.  It's like being given the best toolbox in the business.

Above all, it's specific.  Dip into it any time you know you can make your screenplay better and you're not quite sure how.

Or better yet, browse through it when you're stuck and in the depths of writer's despair.  It's so shrewd and pointed and wise in the ways not only of screenwriting, but life itself, that at the very least it will make you laugh.  And I wager it will send you back to your script inspired, with renewed determination.

Having this book is the next best thing to having Sheila reading over your shoulder. And it doesn't get any better than that.


--William Broyles, 2004 added on 2007-09-21
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read bill broyles foreword to sheila gallien'...
By: rauspitz
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read how screenwriters and other hollywood pr...
By: rauspitz
IN-DEPTH CONSULTATION

I design my consultations based on years of experience in the development, pre-production and production process.  In this process, first the writer receives written notes.  Then comes the meeting, either in person or on the phone.  These meetings, often lengthy and intense, follow the same basic structure.  Over the years, I have been in meetings with Jonathan Demme, Adrian Lyne, Tom Hanks, Sean Connery, Elizabeth Gabler (President, Fox 2000), Lynda Obst, and many others.  Meetings start with conceptual notes, then delve into page by page discussions and often line by line negotiations. 

My consultation follows this model, but it is really your meeting.  After you receive and absorb my written notes, we schedule a phone conference where we try to crystallize your vision.  Our meeting is interactive and collaborative, and while it is sometimes challenging, it is also exciting.  We are able to speak deeply and in great detail about your work.  The conference becomes a forum to create new ideas, solve problems, and get frank answers. 

As for the notes you receive, I read every script, carefully, twice. I make notes on the page and I also create conceptual notes.  I differentiate between first and second reading notes so you can see my initial reaction—the one you would get from a studio or production reader—along with ideas I have as I better understand the story.  The notes range anywhere from five to seven pages and are quite in depth.

The price for the consultation is $695.  This includes two thorough readings of your script, page notes, and a phone conference of up to two hours. We’ll address the script conceptually, then go scene by scene if necessary, or even page by page.  You are able to ask whatever questions you like.  In the process, we will discuss structure, character, dialogue, mechanical elements, marketability, pacing, continuity, and everything else.

To schedule a consultation, or if you have further questions, please email me and I will get back to you promptly.    

Also, if your script is over 125 pages, please discuss with me ahead of time.  added on 2007-09-21
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sheila gallien in-depth screenplay consulting...
By: rauspitz
My Snapshot Service helps a writer on two levels.  First, it provides an unbiased and trained assessment of where your writing stands on the professional spectrum.  In the competitive world of Hollywood, first impressions are critical.  My service helps writers gauge if their work is ready for submission, and steers them in the right direction if they need to hone their craft.

Through both detailed page notes and a three to four page analysis, I comment on technical aspects of the screenplay (e.g. tone, dialogue, narrative drive).  I analyze your story’s strengths and weaknesses, ask questions, and make suggestions, always with the goal of assisting you to tell the story you set out to tell. 

The Snapshot Service is extremely personal and tailored to the individual work and writer.  There is no other service like it in the marketplace.  

The price for the Snapshot Service is $225.

To schedule a consultation, or if you have further questions, please email me and I will get back to you promptly.

Also, if your script is more than 125 pages, please discuss with me ahead of time.
 added on 2007-09-21
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the sheila gallien snapshot service page will...
By: rauspitz
 added on 2007-09-21
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the sheila gallien services page will give yo...
By: rauspitz
Sheila Gallien worked for six years alongside Oscar-nominated screenwriter William Broyles, Jr.  Previously, she worked at Creative Artists Agency as a literary agent's assistant, and as a freelance reader.  Most recently she consulted for Mr. Broyles on Shadow Divers, the upcoming Fox 2000 film with Ridley Scott directing. 

She has participated in developing screenplays from inception to release, and models her consults after her experience in intensive script meetings with actors, directors, producers, and studio executive.

Produced projects include Unfaithful directed by Adrian Lyne, Cast Away starring Tom Hanks and directed by Robert Zemeckis; Entrapment, starring Sean Connery and Catherine Zeta-Jones; and Planet of the Apes, directed by Tim Burton.  

In her own writing, she is currently adapting the novel, Robbers, for Fortress Entertainment.  Her original screenplay, Dropping In, has been optioned by producer Susan Cartsonis (What Women Want, Where the Heart Is, and the upcoming Fox production, Aquamarine).

She divides her time between Hawaii and Los Angeles where she continues to consult for both industry professionals and amateur writers.
 
Sheila Gallien has worked on some of the decade's top-grossing films, and developed stories and screenplays with A-list talent across the board. She can help ready your script for the professional arena. 
 added on 2007-09-21
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the sheila gallien bio page is a concise desc...
By: rauspitz
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sheila gallien is a top screenplay consultant...
By: rauspitz
Sometimes a customer needs to move a Hangman hanger purchased from you, but has misplaced the Bubble Vial(s) that came with the product.  Fortunately, the Hangman Products Bubble Vial with Tray is now available as an individual item.  Your customers can pick up as many Hangman Products Bubble Vial with Trays as they need at your Point of Purchase display, pegboard, or rack. added on 2007-09-20
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hangman products replacement bubble levels ar...
By: rauspitz
Wall-Dog™ is an all steel, one piece, threaded fastener, which is used to fasten various fixtures directly to drywall. Wall-Dog™ fasteners are fast. Unlike conventional screw anchors, which require the secondary step of threading a sheet metal screw into an anchor, the Wall-Dog™ is installed directly through the fixture into the drywall. When your customers need a simple, easy to use fastener tell them about Wall-Dog™.    
 
Wall-Dog™ is installed right through fixture into wallboard. Patented thread design allows a Wall-Dog™ to enter a 3/16
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the hangman products wall-dogtm anchorless fa...
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